The post-colonial genius of Samuel Beckett
When she had finished her grave she handed me the spade and began to muse, or brood. I thought she was going to cry, it was the thing to do, but on the contrary she laughed. It was perhaps her way of crying. Or perhaps I was mistaken and she was really crying, with the noise of laughter. Tears and laughter, they are so much Gaelic to me.
Molloy (1959), p.35